Tech

Blackmagic Design Showcases New URSA Mini Pro G2 Camera

Black Magic Design

By Christina Kwan

Blackmagic Design reveals the URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring redesigned electronics and a new Super 35mm 4.6K image sensor with 15 stops of dynamic range that combine to support high frame rate shooting at up to 300 frames per second. The URSA Mini Pro 4.6K G2 supports Blackmagic RAW and features a new USB-C expansion port for direct recording to external disks.

URSA Mini Pro 4.6K G2 is available now for $5,995 from Blackmagic Design resellers worldwide.

The new URSA Mini Pro 4.6K G2 is an advancement over the original model as it features new electronics for higher speed processing. Also included is a new Super 35mm 4.6K image sensor that captures up to 4608 x 2592 pixels with 15 stops of latitude at up to 3200 ISO. This allows users to record full sensor 4.6K images at up to 120 frames per second, windowed 4K DCI at up 150 frames per second, and windowed 1080 HD at 300 frames per second.

URSA Mini Pro 4.6K G2 can capture Blackmagic RAW images in both film and extended video modes, making it suitable for high end feature films, television shows, commercials, and indie films as well as broadcast news, studio and even live multi camera production.

Blackmagic RAW is a next generation codec that gives users lossless images, extensive metadata support and highly optimized GPU and CPU accelerated processing. Blackmagic RAW combines the quality and workflow advantages of traditional RAW formats with the speed and ease of use of standard video codecs. With Blackmagic RAW, users can choose compression levels up to 12:1 and still get images that can be used for feature films, documentaries and broadcast programming.

URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in accurate skin tones and lifelike colors that rival more expensive cameras. Blackmagic RAW images are encoded using a custom non-linear 12-bit space designed to provide the maximum amount of color data and dynamic range. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the new USB-C expansion port.

URSA Mini Pro 4.6K G2 is designed to be extremely tough and fully featured. It packs great features in a compact handheld magnesium alloy body that’s durable and light enough to use anywhere. There’s an external high visibility backlit LCD status display for viewing critical shooting information, a foldout touch screen for reviewing shots without needing an extra on-set monitor, professional connections such as 12G-SDI, XLR audio, built in high quality stereo microphones and more.

The broadcast camera design of URSA Mini Pro 4.6K G2 puts powerful external control buttons, switches, knobs and dials on the outside of the camera, giving customers direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so cinematographers can operate the camera without having to look at the buttons, hunt through menus, or take their eye off of the action. URSA Mini Pro 4.6K G2 also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight.

URSA Mini Pro 4.6K G2 comes standard with an interchangeable EF lens mount for working high quality photographic lenses. If the camera is being used on a high end film or commercial shoot that calls for large cinematic lenses, simply remove the EF mount and replace it with the optional PL mount. There’s even a B4 broadcast lens mount for working with broadcast HD lenses. URSA Mini Pro 4.6K G2 also includes a standard 12 pin Hirose lens control connector.

Featuring both dual C-Fast 2.0 recorders and dual SD UHS-II card recorders, users can choose the media that works best for their projects. C-Fast cards are ideal for full resolution Blackmagic RAW 12 bit recording, while UHS-II SD cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 8:1 or 12:1 for Ultra HD and regular HD files. With dual slots for each media type, the camera never has to stop recording because when the first card is full, it automatically continues onto the next card. Full cards can be swapped for empty ones, all without stopping the camera.

URSA Mini Pro 4.6K G2 also includes a new and innovative high speed USB-C expansion port for adding accessories such as an SSD for external recording. That means customers can now record for even longer durations without stopping. Plus, they can record directly onto the same external disks they will use for editing and color correction.

URSA Mini Pro 4.6K G2 includes the full DaVinci Resolve Studio software, giving customers a complete post production solution. The software combines professional nonlinear video editing with an advanced color corrector for importing, editing, color correcting, finishing and delivering projects shot on URSA Mini Pro 4.6K G2. DaVinci Resolve Studio works natively with Blackmagic RAW files from the camera, so users can take them directly into post production without having to convert or change them.

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